Saturday, 13 August 2011

Domestic Violence Act

 
Over the last two decades, domestic violence has emerged as one of the most serious problem faced by women in Kerala. They are experiencing physical and psychological violence not only from their in-laws but also often from their intimate partner.
 
This scenario, underlines the need for the effective implementation of Domestic Violence Act 2005, which came into force in October 2006. The definition of DV has been made wide enough to encompass every possibility of abuse/harm to the woman. It has been welcomed by all since it provides for the first time civil remedies to women by way of protection orders, residence orders and orders for monetary relief in the event of a domestic violence incident.
 
The Act is basically meant to provide protection to the wife or female live in partner from violence at the hands of the husband of male live-in-partner or his relatives. Domestic violence under the Act includes actual abuse or the threat of abuse, whether physical sexual, verbal emotional or economic. Harassment by way of unlawful dowry demands to the women victim, or her relatives would also be covered under the definition of domestic violence.
 
MAIN FEATURES OF THE ACT
 Definition of Domestic Violence - it includes physical, sexual, verbal, emotional  and economic abuse that can harm, cause injury to, endanger the life, limb,  health, safety, or wellbeing, either mental or physical of the aggrieved person.
 
Definition of aggrieved person  covers not just the wife but a woman who is  the sexual partner of the male irrespective of whether she is his wife or not.
 
Any woman residing in the house, mother, widowed relative, daughter who is  related in some way to the respondent is also covered by the Act.
 
Information regarding an act of domestic violence can be lodged by any person  who has reason to believe that such an act has been or is being committed and not necessarily by the aggrieved person
 
 Magistrate has the powers to permit the aggrieved woman to stay in her place of  bode and cannot be evicted by the husband even if she has no legal claim or share in the property.
 
 Allows magistrates to impose monetary relief and monthly payments of  maintenance.
 Penalty of breach of protection order or an interim protection order is  punishable with imprisonment of a period which may extend to one year or with  fine which may extend upto Rs.20,000 or both
 
Act ensures speedy justice as the court has to start proceedings and have the  first hearing within 3 days of the complaint being filed.
 
Act ensures speedy justice as the court has to start proceedings and have the  first hearing within 3 days of the complaint being filed.
 
Every case has to be disposed of within a period of 60 days of the first hearing.
 
For its effective implementation the necessary mechanisms have to be put in place and the modalities of redressal firmed up. A campaign on Domestic Violence Act (2005) has already been initiated by the Social. Welfare Department, women's organisations, Kudumbashree, LSGIs and NGOs in Kerala and some domestic incident reports have already been filed.
 
 
Role and function of the Central/State Government under the Act has been specified in section 11 of the Act. They are as follows.
 
* To give wide publicity through public media including TV, radio & print media at regular basis.
 
* Periodic sensitization & awareness training on the issues addressed by the Act to the officer including the police officers & members of judicial service.
 
* Effective co-ordination between concerned Minister & Departments.
 
* Publication of protocol for various agencies concerned with the delivery of services.
 
Whom to Complain?
* Protection officer
* Police Officer
* Service Provider
* Judicial Magistrate of Fist Class or Metropolitan Magistrate.

Women, Politics, and Development in Kerala: A Historical Overview



It has been observed in the literature on the Kerala Model that the political field remained inaccessible to Malayalee women despite their impressive social developmental achievements in the twentieth century. More than a decade after that observation was made, and after many years of effort to mainstream gender concerns into local government, there is little effective change in sight. There is no doubt that more women have entered local bodies now. However, whether this will lead to a rise in the numbers of active women politicians, and to a greater articulation of women's interests via the broader politicization of women as a group is still to be seen. Ironically enough, since mid-90s, feminists have been demanding gender justice from the state and battling the major political parties over a series of well-publicized cases of rape, traffic and sexual harassment, in which leading members of major parties, both on the left and non-left seemed implicated.
 
Very little support to this cause came from women who were inducted into the political process through political decentralization. So the gender equality lobby in the state, represented mainly by the feminist network, the Kerala Stree Vedi, had been engaged in almost a continuous combat with the state and political parties - who of course are the major actors in political decentralization. Indeed, a certain rapprochement of the feminists with the left - that seems to be falling apart in the present -- came when one of the most powerful and senior leaders of the CPM, the present Chief Minister of Kerala, V.S. Achutanandan, began to seriously take up the issue of sexual violence as Opposition Leader under the previous UDF government , in 2005. This has important implications that the large numbers of women in local governance have not yet become part of the gender equality lobby, and that senior male leaders still control the decision whether or not to support it.
 
This curious phenomenon -- the simultaneous 'presence' and 'absence' of gender concern in political decentralization in Kerala in the 1990s -- makes sense when viewed in a historical perspective. Playing on the title of Robin Jeffrey's well-known book on the Kerala Model, a widely shared conception of the roots of the Kerala Model may be expressed in formulaic terms as 'Politics + Women = Social Development/Wellbeing'. The conjunction of a particular sort of politics with a particular sort of female subjectivity is seen to have produced the well being Kerala is so famous for. Politics as mentioned earlier, has been a male zone; as for the 'enlightened ' female subjectivity, it, as well as the community reform movements that projected it as a desirable attainment, has been incisively criticized in recent feminist research. It has been pointed out that women were accorded a new role and social space shaped by and serving modern patriarchy that limited female agency to the sphere of modern domesticity, and ultimately tied to the welfare of the larger collective -- be it the community, the locality or the nation. There were efforts to expand women's social space in the 1930s -- this however largely made a powerful case for women's presence in the public by emphasizing that certain 'Womanly' qualities -- capacities supposedly given to women by virtue of their 'natural' sexual endowment, like compassion, patience, gentleness and so on -- were necessary for the smooth running of modern public life.
 
 This claim was never really effective in the field of politics and political society in mid 20th century Kerala continued to implicitly or explicitly endorse the public/domestic divide and the relegation of modern female agency to the domestic. This continued to be so during the decades of left hegemony in the Malayalee public sphere that lasted roughly up to mid -1980s. The gains of mid 20th century dominant leftist politics were certainly gendered and historians have begun to notice this now. As Anna Lindberg has recently shown for the cashew workers of Kerala, women workers were directed towards the home through a range of strategies by state officials, employers and their own trade union representatives. Thus while maternity benefits were fought for, the family wage remained in place. In the state-sponsored development programmes of the 1950s and 60s, women were organised at the local level, the focus being on the intersection points of social development and rationalizing and modernizing family life.
 
The civil social associations of women which began to appear since early 20th century were also less concerned with resolving the 'women question' in favour of women's autonomy and equal participation in community life and citizenship than with shaping ideal home managers. Though the issue of patriarchy was raised in the major civil social mobilizations of the 1980s (such as the People's Science Movement and the Fishworker's Movement), those who sought to articulate it within these movements found it a steep climb. At the end of the 1980s, however, feminist groups had indeed made their entry, they found not much support in civil or political societies  rather, they were greeted with hostility and suspicion at worst and palpable caution at best.
 
 In the 1990s, gender equity came to be discussed much more in the hugely expanded mass media (the coming of satellite television) with the sites of enunciation for Women increasing. In the same decade, public debates over gender inequity and injustice have been bitter and long-drawn out  and still continue to be so-- while in contrast, there seems to be all-round support for women's associational efforts that define empowerment as strengthening women’s economic contribution within patriarchal frameworks, which, it is assumed, will lead to an expansion of their life-choices automatically. Indeed, there is reason to think that the drive towards mainstreaming gender in local level governance was inspired at least as much by strategic considerations as it may have been by commitment towards gender equity. For, the PPC was also an effort to overcome the crisis of redistributionist politics. The remedy, it seemed, was to expand the inclusiveness of People as the historical agent of change and so the interest in integrating women into peoples planning was to be expected. Women in Kerala had already proved their mettle as agents of change within their families, and in local communities, more recently  as instructors in the Total Literacy Campaign of the early 1990s.
 
It is important to note that the PPC was launched and implemented in an atmosphere in which the feminist network in Kerala was confronting the major political parties over their adamant and blatant sexism. This meant that an element crucial in ensuring the attainment of declared goals of mainstreaming gender in political decentralization was missing right at the beginning. It must be remembered that this was the first time in post-independence Kerala that Women were treated as a political group with representatives (pre-independence legislatures had nominated members to represent Women). However, for the large number of women who were newly inducted into the political process, this was certainly a new and unfamiliar idea. Similarly for women in general too, the idea of having representatives of their own was a new one.
 
The gender equity lobby which could be reasonably expected to mediate between these two groups and establish the lines of communication between them, however, was grievously debilitated precisely because of the massive confrontation between feminists and political society in general. Indeed, political society, both the left and the non-left, have been doing their utmost to strip off the feminists their claim to represent the interests of women as a distinct group. In such a situation, the impact of women's large-scale induction into local-level political structures was bound to be limited seriously. The latter rapprochement arrived with the CPM in 2006 was under the hope that the new LDF government under V S Achutanandan would act seriously on issues raised by the feminists; something that has not yet actualized. 
The PPC, however, seemed to offer much: besides the 33 per cent reservation of seats, it has been further characterized as marked by a concern for gender equity, along with social justice and efficient implementation of developmental programmes. This experiment at micro-level planning tried to structurally integrate gender priorities into the planning process (rather than simply upholding them as normative ideals) through providing for a Women's Component Plan (WCP) to be implemented with ten per cent of the total grant-in-aid for the plan. This was later made mandatory. It was hoped that these measures would help build synergies between women's political empowerment and their active induction into socio-economic life as subjects of development in their own right.
 
Beginning actively in 1997-98, the Women's Component Plan (WCP) fell short of the expectations of policy-makers. The allocations for the WCP did not often come close to the stipulated ten per cent; besides, many of the projects allocated under it were stereotypical. Some effort to correct this was made in the second year of its implementation with guidelines being set and attempts to tackle gender stereotyping in project formulation. The serious inadequacy in the participation of women in the planning process was sought to be overcome through setting up need-based neighbourhood groups and including their convenors in the Village Assemblies.
 
The number of women who entered the local bodies has been quite large. A total of 6566 positions are reserved for women, of which 382 are seats for the president position. Now, the number of women in the LSGIs exceeds the 33 per cent. At present, the participation of women in the Village Assemblies  highlighted in PPC as the basic forums of local democracy -- have improved considerably mainly due to the integration of the vast network of womens self-help groups set up towards the end of the 1990 as part of the Kerala States Poverty Alleviation Mission, the Kudumbashree, with the panchayats.
 
A Quick Survey of Literature
There is general consensus in the existing literature on gender in the PPC that the substantial reservation for women was definitely a major step towards inducting women as participants in local governance and have often resulted in individual capacity building of women, they have also pointed out the limited interest of political parties in ensuring the actualization of the mandatory Women's Component Plan; their reluctance to politicize women as a group and even their hostility towards assertive women.
 
About local planning, almost all the reports agree that practical gender needs are often well-addressed while projects that address strategic needs are ignored or opposed. Indeed, the moral opposition seems greatest when the boundaries between these are not so clear  that is, when the effort is to address women's practical gender needs through means that essentially challenge entrenched forms of patriarchal power. For instance, Vanita Mukherjee and T.N. Seema mention how a scheme for training girls as auto-rickshaw drivers (not only a male preserve, but also a very visible masculine public role in Kerala) that aimed at generating greater income for women was crippled through public derision of the women who underwent the training and finally, had no takers, as it went against accepted gender codes and seemed to hold the possibility of upsetting established norms of sexual morality. The SAKHI report mentions another telling instance, in which a proposal for generating employment for women through starting a unit to manufacture cheap and hygienic sanitary napkins was booed out as indecent.
 
Many of the reports point out that the remarkable spread of self-help groups in the state has often given women much greater self-confidence as earners. However, many have also remarked about the consequences of tying women's empowerment to poverty eradication, which leads to the instrumentalist reduction of the former into a tool for the latter. Fourthly, many reports reveal the extent to which community solutions were posed for gender conflict instead of the mobilization of women in anti-patriarchal struggle.
 
 The situation in the planning experiment at present, in sum, is as a report put it: The conscious efforts to alter the conceptual rationale of planning, under the decentralized regime, recognizing the market and domestic roles of women, and the gender differences in needs and interests, remained largely at the level of rhetoric in policy making and disappeared the level of implementation. Gender Status studies recently conducted in 43 panchayats by the Kerala Institute of Local Administration, SAKHI, and SDC-CAPDECK revealed that women's subordinate status continues uninterrupted in almost all, and indeed, women are at least more visible in public precisely in panchayats which have had a history of strong political mobilization in the mid-20th century (for instance, Karivalloor-Peralam).
 However, most of these reports do not explicitly consider how the experience of the past ten years has impacted upon women's perceptions and assessment of, and expectations from politics.
 
If it was also hoped that by the induction of a large number of women into local-level governance, women as a category would emerge as a political one i.e., as a group conscious of common interests to be secured in society and economy, with a direct claim on state resources and well-defined rights as equal citizens  then, ten years past, it is certainly time to make an assessment of the ways in which this making-space within political institutions has impacted on women's perceptions of the nature and possibilities of politics, their self-perception as a distinct social group, and the social space that they may legitimately claim. This may require us to take an approach that is more sensitive to the contemporary context in Kerala  we need to be alive to the fact that such change is being shaped by several processes, institutions and agents, at times unconnected or even antagonistic to each other.
 
With the exception of one study that focuses rather narrowly on feminist politics in Kerala in the 1990s), such serious work on the transformation of women's lives and space in the political public here is grievously lacking. While it is important to study the numbers and the achievements of women who have entered local governance, it may also be important to go beyond such considerations to reflect upon the kinds of spaces and agency that this avenue has opened up for women. This, however, cannot be done by maintaining a singular focus on the expansion of local self-government and the new opportunities for women, to the exclusion of adjacent processes in the fields of politics and development that may be of equal importance.
 
New Perspectives, Possibilities
The present report hopes to make a beginning towards constructing a richer and more complex account of women’s entry into the public in Kerala since the mid-1990s. We do believe that it is pointless to assess the achievements of women members of the LSGIs without scanning a larger field to understand emergent challenges to gender justice and citizenship, so that one may ultimately reflect whether political decentralization and women's representation in LSGIs has indeed been capable of rising to meet these challenges. This is not to say that focusing on the achievements of these women is unimportant. Nor is it to apply a feminist measure to assess the achievements of these women only to condemn them as victims of false consciousness in other words, sit upon (political) judgment. The historical significance of the 33 per cent reservation of seats in the LSGIs of Kerala for women can scarcely be belittled.
 
It is for the first time since the 1940s since the pre-Independence legislatures in the princely States of Travancore and Kochi -- that women have been recognized as a political category in their own right. But besides, the question whether it offers opportunities for women to enter the almost-exclusively male domain of politics is all-important. The lack of women in politics demands immediate redress, and without the expectation that women be have as better and less corrupt politicians or, indeed, they become gender justice warriors. Moreover, the enthusiasm for public life and knowledge of public affairs that women members have generally displayed all over India certainly serve the important feminist political goal of breaking down misogynist stereotypes about women's reluctance to enter public life.
 
That said, however, given that the political field generally remains hostile to issues of gender justice, feminist researchers cannot afford to discard their critical lenses. While we need to relax the assumption that women in power will somehow automatically fight for gender justice, we also need to relax the assumption that the entry of women into local governance will automatically redress their abysmally low presence in politics. Indeed, as we were to find out in our research, conservative gender norms may be reiterated precisely through the availability of certain forms of agency to women. And bargaining with patriarchy does have its limits; most importantly, we need to inquire about which women are able to bargain with patriarchy at all. This leads to the question whether the spaces and agency opened up for certain kinds of women masks parallel processes of disempowerment of other women, and eventually to the larger question of understanding what women's critical agency may be, under emergent neoliberal contexts of extractive growth, welfarist regime based on responsibilization of the subject of welfare, and crucially, within a conservative interpretation of the concept of gender in prevalent discourses of local development and politics.
 
Given this goal, we hope to take our inquiry beyond political decentralization. How exactly we propose to do this is summarized in the following points:
 
 Instead of concentrating on political decentralization, we propose to focus on three processes that unfurled side by side in this period, covering the major portions of the fields of formal politics and oppositional civil society. These are:
 
(a) the opening up of a number of spaces within formal institutions of  local  self government under the 33 per cent reservation of seats as part of  political decentralization.
 
(b)The creation and functioning of the State-wide network of self-help groups constituted by women from below-poverty-line families under the aegis of the State Poverty Alleviation Mission, the Kudumbashree.
 
(c) The burgeoning of struggles around degradation of the environment and destruction of livelihoods outside both politics and local governance, in which poor women, who are affected more drastically by these changes, are active participants.
 
The exploration of adjacent processes will help us to produce rich comparative insights. The focus on the women who are now at the interface of  development and politics  through the expansion of the machinery of social welfare -- is interesting not only because women are now emerging as central targets and agents of welfare governance, but also because t his group has been an important catchment area from which women have been inducted into local governance. An active circulation of women between this area and local governance is evident today. Thus becoming the President of the Community Development Society, the highest tier of the Kudumbashree self-help group structure at the village panchayat level, is often a passport to candidature in local elections.
 
However, though the Kudumbashree was envisaged as a state-centric civil society that would work independently alongside the village level local body, it has been heavily penetrated by political parties, particularly the CPM, from the second tier (the ward-level Area Development Society) onwards. Also, focusing on women in the oppositional civil society is important to examine what forms of agency are emerging outside the states openings, and how they relate to the latter. In sum, our effort is to make sense of women's opportunities in and through decentralization within the larger and more complex picture of women's entry into the public in the period from the mid-1990s onwards.
 
Secondly, we bring to bear on our empirical work on the present, a feminist historical perspective. In other words we seek to understand our empirical observations in the light of the critical history of gender, politics, and development in Kerala so that shifts are perceived and reflected upon. This means that we introduce a generational comparison in the first chapter, on women in politics and governance, between women who entered politics in the decades of the mid-20th century and those who entered local governance in the mid-1990s.
 
The comparison does bring insights into the shifts in the manner in which politics is conceived by the two generations, the gendered implications of current institutional changes, and allows us to ask what this may mean for the de-masculinisation of high politics. This also allows us to ask whether the identification of poor women as principal targets, and the induction of large numbers of women as agents in the new welfare disbursement network that Kudumbashree represents, really alter the androcentric structure and culture of the development bureaucracy, entrenched here since the 1950s. This perspective also helps us avoid presenting the oppositional civil society as a monolith, allowing us to take note of implications of the chronological differences of its many strands.
 
Thirdly, our methodology has been crafted out of specific elements to gather more than numbers and quantifiable achievements. Originally we had planned to combine a questionnaire survey along with qualitative fieldwork semi-structured and in-depth interviews, focus group discussions, memo-writing, and participant observation --and textual analysis. However in the field we found that the questionnaire was less useful, for two reasons: one, it did not seem to be yielding anything more than what we could learn from available analysis of larger data sets; two, for many of our interviewees, especially the women outside the formal institutions of politics and governance, it represented the state. Striking discrepancies were noted between what many of our interviewees wanted to be formally written up in the questionnaires and what they told us in interviews. Thus we decided to use the survey in a much more limited way. Statistical analysis in this work uses State Election Commission Data for 2005, and also data which we collected as part of fieldwork, of aspects not available in the former source.
 
Fourthly, while we were not interested in simply reducing womens experiences into numbers, we were also wary of replacing this with an equally questionable romanticisation of women's voices'. Thus, we certainly listened to women's voices, especially those of women marginalized from mainstream politics and governance, but? also sought to record and interpret the rich narratives we collected from the field through interviews within emergent and historical contexts.
 
We however, do not claim to have resolved the tension between listening to women’s voices and placing them within discursive and non-discursive contexts. The tension between these two imperatives is certainly evident in our writing, especially in our accounts of marginal women's battles in oppositional civil society and indeed it may be necessary to retain the tension than offer unsatisfactory resolutions one way or the other. Such resolutions would only affirm our own location within the dominant as privileged researchers researching marginalized women. Further, not allowing the tension to dissipate also lets us reflect on critical political agency in these troubled times.
 
Fifthly, our concern for the futures of democracy, and our conviction that democracy cannot be complete without gender justice, informs our fieldwork deeply. This again forces us to go beyond numbers. The material we have produced lets us engage with major ongoing debates on civil society and social democracy in general, as well with those on postcolonial democracy in India.
 
Extract form the introduction of the report gender and governance by usha zacharias, ranjini krishnan, a.k rajasree, reshma bharadwaj, rekha raj, s. santhy, s. anitha, binitha thampi, reshma radhakrishnan, p.r nisha, k.p praveena, and j.devika
 

Pennezhuthu

On Pennezhuthu
Pennezhuthu: ?Woman-writing? in Kerala
I can testify to innumerable casual encounters where the admission that I am from Kerala has prompted a selection of appreciative noises: "very progressive state", "100% literacy", "green and beautiful", they've nodded in teashops and trains. The tired joke of the first man on the moon encountering the enterprising Malayali, who had already set up shop, has been relentlessly bandied, each time with spill-over mirth. Off-hand disclosures that I was from Kerala have also gunned the narrative of the Malayali woman. This assembles all or most of the following variables: "powerful", "free", "like western countries", "matrilineal". The ubiquitous figure of the Malayali nurse has been invoked as clinching evidence. The predictable routine of these encounters has induced a compelling anxiety of mismatch, an anxiety between my lived experience in Kerala and the liberatory rhetoric that is pervasively woven around the Malayali subject, especially the female subject. I entered my research with large, sweeping questions: What are the self-perceptions and the self-projections that present day Kerala assumes? What are the contexts for imagining the gendered self? How do these play out in the self-representations of women in contemporary Kerala?
 
In the enactment of Onam, for instance, women from Kerala are by unspoken decree required to dress in what passes as the "Kerala dress"- the kasavu-mundu. They are enjoined to perform the "Kerala dance"- the kaikottikali and the "Kerala style of welcome"- the thalappoli. Here, the authoritative and, indeed, the only representative Malayali woman is also indisputably the Hindu upper caste subject. As it stands, it appears that the 'authentic', normative Malayali woman incorporates two vectors: she appears to be marginalized from some structures and privileged in others. She is inferiorized and idealised. To me this bivalence signals the internal power differences within the gendered category - woman. Obviously, some among them enjoy hierarchically more privileged positions than others. Hence, to read the 'authentic' Malayali woman is, I argue, to unmask multiple imbalances of power. Her position of dominance, structured as it is by a host of factors- caste, class, gender, education, sexuality, occupation, religion, region etc.- is ineluctably relational and contextual. Some of the tangled social asymmetries and some of the complicated ways by which hegemonic discourses select, order, exclude and construct this woman subject, is what I hope to trace through my study of "dominant women" in contemporary Kerala.
 
While mapping the contours of my research I've tried, consciously, to plot myself in the field. Given that I am an 'upper-caste', middle class Malayali woman and an insider to this study in more ways than one, it would be fairly ludicrous for me to assume a pose of disinterestedness. Consequently, I've pursued lead-offs from my academic, political and personal histories - the three, as should be evident, not being at any point distinctly separable, and being at all times absorbed into my own experience of "becoming a woman".
 
In this section I propose to investigate on-the-run, a much debated space of women's writing in contemporary Kerala "that of pennezhuthu ("woman-writing"). I do this for three principal excuses. Firstly, even though the discussions on pennezhuthu revolve around the published fictional productions of women, much of these explore the connections between women's experiences and their writings. And this is of manifest relevance to my own work. Secondly, it lays out some of the mediating contexts of reading and writing gendered experience in contemporary Kerala. In fact, Meenakshi Mukherjee has reasoned in her essay that if women are educated and opt to narrativize their personal, they cannot but be influenced by "some literary culture in their environment or the existence of certain literary models in the background". The discursive hyper-activity around pennezhuthu is likely to be a determining context both for the textualization and for the hermeneutics of women's lives even though it might not consciously be perceived as such. The third reason is that the raging controversies around pennezhuthu demonstrate the tenuous foothold, which women continue to have in the literary establishment of contemporary Kerala.
 
Most media articles that ignite disputations on the subject are prefaced by interrogations such as: "What is pennezhuthu?" "Is writing gender differentiated?" "Must we have a separate category of pennezhuthu?" Unfortunately these questions usually presume their answers. They act more as rhetorical strategies for debunking women's writing than as exploratory moves for candidly examining its possibilities. In fact, the mainstream has vigorously flayed pennezhuthu as a space that is cobbled together only so that pseudo-intellectual women, who have been justly exiled from hallowed domains, can parade their minimal genius.
 
On the other hand, Sara Joseph, one of the main (and some people allege, the only) apologist for pennezhuthu has defined it as a form of writing that contests all hegemonies. She holds that women writers in Malayalam have to actively negotiate a man-made language and that they cannot simply wish away its gender-parochialism. But, with many women writers seeking to dissociate from this label, the issue of pennezhuthu has come to be further mired in controversy.
 
What I rehearse here are only some of the issues that have been churned out by the often fierce and impassioned debates on pennezhuthu. I've selected only those that seem to intersect with the uncertainties which subtend the reading and writing of women's personal narratives.
 
Even as they disclaim labels of "pennezhuthu" and "feminist" (the two get yoked together with telling frequency) most women writers assemble on other points of concord. Most of them profess, for instance, to write from a woman's standpoint. Most also admit that they get a curt reception from the literary theocracy. One of the compelling reasons they site for wanting to distance themselves from pennezhuthu is the fear of ghettoization and of further marginalization. Their fear is that a constricting female identity will be conferred and consolidated upon them and that everything they write will be expected to contribute and confirm this identity. They would rather infiltrate the "malestream" and find a place under the arc lights. This determination is undoubtedly commendable, but it also raises certain outstanding questions. Most of these women are short story writers. In fact it has been repeatedly pointed out that the short story is the most popular genre among women writers of Kerala. The validity of the above assertion is built by ignoring expressive forms which are not elevated as "literary"; expressive forms that women use in prolific measures. Clearly, it is easier by far for women who write short stories to find a respectable place in an unrevised mainstream (despite all the difficulties they themselves chronicle) than it is for women who write personal narratives. To even begin to think of the latter as women-writers demands a political move that interrogates, destabilises and dismantles conventional norms of inclusion and canonization. By staking their identity as ungendered authors and by resisting the possibilities of collective mobilizations, it is precisely this political space that women writers, who position themselves against pennezhuthu, rescind. It is another and grave matter that even the political assertions of pennezhuthu, have not begun to address "outlaw genres" - genres that have been cast aside by literary establishments. Neither has it begun to seriously address the relations between the social profile of women and their differential accesses to genres of writing.
 
Another significant issue that has scarcely been examined is the matter of aesthetics. There is widespread fear that pennezhuthu would entail feminist sloganeering to the resultant detriment of aesthetic merit. The literary establishment thought that Sara Joseph was guilty of just that when she set out to effect changes in the masculine ownership of Malayalam. They criticised her language experiments as clumsy and ugly. She retorted that they would find all struggles to overthrow hegemony hideous. Despite this exchange, there has been very little sustained examination of the institutional interests which underpin prevailing notions of aesthetics and creativity. In effect the gate-keeping measures which expel the quotidian and the experiential continue to go unchallenged.
Then too there is the abiding way in which the "autobiographical" and the "personal" attaches to women's writing, even when these are self-avowedly narratives of fiction. Works of criticism routinely read women writers as "exploring the inner-spaces of the experiential world".The essay "Malayalam Short Stories: Evolution, Influence, Original Perspectives" offers another instance of just such a conflation. It concludes, after an all too brief comparative analysis, "Emotionally too, they [women short story writers] placed emphasis on the personal and the subjective experiences, whereas the men were attracted to the objective narrative structure." Such descriptions seem to offer ready ways for placing women's writings in the larger literary-scape. These rather indolent critical gestures conflate all women's writing with the autobiographical. In turn, they further sharpen the resistance of many women writers to the label of pennezhuthu, for they perceive it as a way of tenaciously straitjacketing their fictions into the experiential. Gracy, a leading short story writer has been particularly forceful in pointing out the fallouts - both on women's lives and on their works - of autobiographical readings which equate the female protagonists with the writers themselves. This, she concludes, is a particularly effective route to threaten, censure and slander women writers. Gita Hiranyan is another writer who has voiced her reservations on the subject. She attributes the tragic suicide of the writer Rajalakshmi to the sanctioned voyeurism unleashed by such criticisms. Her own works, she testifies have been reductively interpreted as commentaries of her familial and sexual life. The impatience of these women writers with the obstinate conflation of their fiction with autobiography is more than justified. But what goes un-addressed here is the predicament of women who want to rehearse their selves in writing. How would women who want to write the autobiographical, dodge the witch-hunt that appears bound to follow every time women produce their selves in language?
 
By keeping much of the debates on pennezhuthu at the level of the legislative ("Do we need pennezhuthu or not?") what is being wilfully overlooked are the ways in which it can be productively deployed. C.S.Chandrika has argued that instead of seeing pennezhuthu as a constraining category that keeps women in the unthreatening margins, it should be used for a political advance. Even if this were to be effected, it would clearly not be easy to read personal narratives as pennezhuthu, at least as it stands defined now. If women writers wish to "secure the space to graze freely" they undoubtedly have to picket the posts of "malestream" literature.Pennezhuthu, in this context, far from exhausting these possibilities has not even started seriously addressing them. I go back, therefore, to one of the initiating questions of pennezhuthu: "What is woman-writing?" If it is truly an open-ended poser, then it should not pre-judge and dismiss the claims of personal narratives for inclusion. Even a provisional addition of personal narratives into this category would constitutionally change the terms of references of the debate.
 
What has struck me as remarkable is that women should continue to write experiential narratives even in the less than conducive atmosphere that seems to prevail. Strikingly, most of the women whose narratives I study show a discernible ambivalence toward their writing. In fact some among them do not even care to honour their narratives with the status of "writing". One diarist, in a private conversation presented herself as a thwarted, even failed, writer. She talked of her early ambitions, when her literary talents had apparently come in for compliments from a frontline litterateur of Malayalam. There was self-deprecation as she waved her hands at her diaries, "Now I scribble only these." Yet, it is also clear, both from her conversation and her diaries themselves that she regards diary writing as an invaluable routine of her everyday. There were others who assessed diaries as important, but as green rooms where they readied themselves for other, more serious kinds of writing. Very few, it appears, were unaffected by the conflictive attitudes towards woman writing. They sometimes privileged their experiential writing and at other times devalued them. There were of course a few who were certain that the personal narratives constituted a study-worthy genre. There was one among them who was particularly enthusiastic and I spent many pleasurable hours in her company. Sometimes she would read out aloud from her diaries, she would select those sections, which she deemed were well written. (It is my persistent regret that her engaging diaries - written as they were before the nineties - are not used here for detailed study.) But even she advised me from reading all of her diaries, because she feared they would be monotonous and tedious. I suspect that she would have echoed Meenakshi Mukherjee's critical judgement about "digressions", "unnecessary repetitions" and "lack of linear chronology" in personal narratives.
 
The above section seeks to foreground some of the discursive occasions for women's writing in contemporary Kerala. It seeks to stress that women who write themselves into existence are not doing so in a social vacuum. They are in fact engaging in a crucial translation of their selves from mere objects of social discourse to articulating subjects. They are resisting the silences and erasures that come from being, at best, the "spoken for" and the "spoken about".
 
This is an extract from, Sharmila Sreekumar, "Scripting lives: Narratives of dominant women in contemporary Kerala" (Doctoral Dissertation submitted in University of Hyderabad, 2002) (forthcoming, Orient Black Swan)
 
[1]Meenakshi Mukherjee, "The Unperceived Self: A Study of Nineteenth Century Biographies," Socialisation, Education and Women: Explorations in Gender Identity, ed. Karuna Chanana (Hyderabad: Orient Longman, 1988) 251.
 
[2]See T. Padmanabhan, "Sahityadarsanam Puthiya Nootandil (Aesthetics in the New Century)," Mathrubhumi May 2000: 8+. This essay is a particularly vituperative attack on pennezhuthu. A forceful rejoinder to it has been made by Sara Joseph, "Asahishnuthayute Theekshnatha (The Pungency of Intolerance)," Mathrubhumi June 2000: 6+.
 
[3]See Sara Joseph, Interview, India Today 1995: 56-57. Malayalam edition, Vanita Pathippu (Special edition on Women). Also see M. S. Ajikumar, "Pennezhuthendathu (What Woman Should Write),"Kalakaumudi 1197: 55+.
 
[4]See Shiny Jacob Benjamin, "Ezhuthukarikal Kaividunna Pennezhuthu (The Woman-Writing that Women Writers Forsake)," Kalakaumudi 1159: 16+. Sara Joseph, in the previously cited interview to India Today, diagnoses the reason for the dissociation of women writers from pennezhuthu as their fear of being labelled feminists.
 
[5]For more details see the introductory chapter of Roopa Antony Thachil, "Contemporary Women Short-Story Writers in Kerala in the Context of Women-Writing in India ," diss., U of Hyderabad, 2000.
 
[6]"Women are not willing to curl up in the limited light it [pennezhuthu] throws," reports a magazine feature on the subject of woman-writing. See, K.R. Mallika, "Sanjakale Bhayakunna Ezhuthutharangal (Literary Stars Who Fear Labels)," Mathrubhumi 14 Dec. 1997: 16+. Chandramati is quoted as expressing much the same sentiment in M. S. Ajikumar, "Pennezhuthendathu (What Woman Should Write)" 57. Other women have aired similar opinions on many different occasions.
 
[7]See K. M. George, "Foreword", Inner Spaces: New Writing by Women from Kerala, K.M. George, et al ed. (New Delhi: Kali for Women, 1993) xiii-xiv. The editor and critic, in his introductory note, maintains, "There are also a few novels and plays written by women which are quite popular, but the richest genre of literature by women in Kerala is undoubtedly the short story." For a similar summations, see also, Rati, "Kathayile Penmozhikal (Women's Voices in Stories)," India Today 1995: 117. Malayalam edition, Vanita Pathippu (Special edition on Women).
 
[8]I take the formulation of out-law genres from Caren Kaplan. "Resisting Autobiography: Outlaw Genres and Transnational Feminist Subjects," De/Colonizing the Subject: The Politics of Gender in Women's Autobiography, ed. Sidonie Smith and Julia Watson (Minneapolis: U of Minnesota P, 1992) 115-138. Caren Kaplan has coined this term for depicting, both, the margins and exclusions of the institutionalised genre of autobiography, as well as the rules and norms, which govern it.
 
[9]Sara Joseph, Interview 57. She has discussed the issue of aesthetics and protest writing, with particular reference to dalit and women's writing, more elaborately in her response to T. Padmanabhan. See, Sarah Joseph, "Asahishnuthayute Theekshnatha".
 
[10]S. Sunderdas, "Streerachanakal: Svatvanweshana Pareekshanangal (Women's Writing: Experiments in Self-Discovery)," India Today 1995: 108. Malayalam edition, Vanita Pathippu (Special edition on Women).
 
[11]Vasanthi Sankaranarayanan, "The Malayalam Short Story: Evolution, Influence, Original Perspectives," paper presented at the seminar on English and Indian Short Story, ts., 1994, Hyderabad, 5. In the revised version, which has been published, this critic and translator maintains her description of women's writing, but skips the comparison that she had previously made with men's writing. See, Vasanthi Sankaranarayanan, "The Malayalam Short Story: Evolution, Influence, Original Perspectives," English and Indian Short Story, eds. Mohan Ramanan and P. Sailaja ( Hyderabad: Orient Longman, 2000) 23.
 
[12]In Ajikumar, "Pennezhuthendathu" 56. Also in Benjamin, "Ezhuthukarikal" 16.
 
[13]See Gita Hiranyan, "Ezhuthukari: Akathum Purathum (Woman Writer: Inside and Outside)," Malayalam 26 Sep. 1997: 29-31. All further references from this article will be indicated parenthetically in the text itself.
 
[14]Benjamin,"Ezhuthukarikal" 18.
 
[15]Benjamin, "Ezhuthukarikal" 57